A new book by Bart van Es will be available in North America next month, but we can learn some things already, thanks to a review in the Times Higher Education Supplement.
Shakespeare in Company is a meticulous account of the institutional and economic forces that shaped the plays themselves and an acute analysis of the ways in which this shaping occurred. For instance, in 1594 Shakespeare became a sharer in the Chamberlain’s Men and, as such, an “attached” playwright. Unlike Kyd, Chapman, Jonson, Ford, Webster or Beaumont, Shakespeare wrote for a single company, an arrangement, claims van Es, that he “initiated”. This facilitated the composition of roles with particular actors in mind and “a new concern with the process of casting individual performers [which in turn] enabled the creation of psychological depth”.